Jeremiah Dart photographs his family and himself often using the house and property in Connecticut where he grew up as a starting point. Whether he uses an empty barn, a cramped attic space or a beautiful formal living room, his subjects and settings establish tension within the image. The photographs recall the mysterious eerie qualities of film noir. Katie Kingma’s saturated techno colored images also recall vivid early Hitchcock movies, and reference both contemporary fashion layouts and the current state photography. Her psychologically suggestive but carefully staged photographs set up dramatic tableaux. Dianne Lowry grew up in Florida and uses her six siblings as her primary models. Touching both on the innocence and ephemeral nature of childhood, Lowry is unsentimental in her depiction of her subjects. Whether captured in moments of play or repose, their inhibitions and unselfconscious beauty are captured through her lens.